Calling it good

When God created the heavens and earth… he saw that it was good (see Genesis 1:10). It’s intimidating to turn over your piece to the choir director and saying it is good now, because it is echoing the great Creator. But at the same time, I do think my arrangement is pretty good now, and I’m going to move on to other projects.

I added in a couple of measures for a transition between verses 1 and 2, this time with four instruments (clarinet, alto sax, violin, viola), to help us feel the key change happen, and make it easy for the choir to come in. I have the flute, alto sax, and strings accompanying the second verse, and only letting the piano come in for the refrain. And then I cut out the piano for the repeat. Rude, I know. But I think the choir can hold its own with just clarinet and alto sax, and then let the strings help with the last phrase of that verse.

We’re used to having the piano kind of guide the voices, but I get bored with the same kind of gestures so we’re doing something a little different. This might make it so we’ll have to practice the choir with the all instruments more, but maybe that’s ok.

I’m keeping the piano part pretty simple because I don’t like it when it’s much harder than what everyone else has to do (it’s often the case that the piano part is the most difficult of all). Also, I know I will need to give out parts to our instrumentalists so they can start practicing. I can’t sit on this much longer for that reason too.

I look through the score some more. I add in phrase markings for the piano as well as for the violin. I add in a fortissimo for the last repeat. I like to orchestrate for dynamics, but it’s helpful for the ensemble, in particular for the piano, since it’s probably the most versatile of all the instruments. It can be soft or loud at all the registers, unlike the flute, for example.

And just like that, I’ve sent off the parts. I guess I should print out my part so I can start practicing too.

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