Articulation, and what it does to a dance

As I’ve said previously, it’s been intimidating to write a second movement to my string quartet. I wasn’t sure if I loved what I had so far, and I was kind of second guessing myself.

Today’s workplace happened to be outside a classroom where they were learning ballroom dance. I have my headphones on, but they do not cancel the noise outside, and I find myself in the waltz mode a little more easily because of the ambient music.

I look at the piece I’m working on, and realize that what I need is some more clear articulations to help the string players play the right kind of lightness. A waltz cannot be played heavily. It just doesn’t work right. You want it to kind of float. So despite all the more or less dissonant melodic material, harmonized into what I think sounds right, but maybe isn’t the typical Johann Strauss Jr kind of harmony, if you know what I mean, I am really attempting to write a “light” atonal waltz. It’s a fun challenge, and after adding in the articulation, I find that the viola part isn’t hard to write at all. (I had left off the piece with gaps in the middle parts, so next will be some work on a second violin part).

However, the dance class switched and they are playing something Latin inspired, and the rhythm doesn’t work at all with what I’m doing now. I have a hard time finding flow, and I hope to get back to writing later today.

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